The Sinister Agenda Behind the Joyland Movie Being Pushed onto Pakistan’s Muslims

There is a movie called Joyland that has caused immense uproar among Muslims in Pakistan, mainly for being a movie made by liberal Pakistani filmmakers who, after winning a gay award at a pretentious film festival, aim to import this filth over:

Joyland is set in Lahore city in Pakistan’s eastern province of Punjab and depicts the story of a young man who falls in love with a transgender woman. It debuted at the Cannes festival earlier this year, where it received accolades, including the Jury Prize as well as the Queer Palm award.

The director of this movie, Saim Sadiq, is extremely liberal. And considering that he graduated from Columbia University School of the Arts, it’s easy to see why his worldview mirrors that of the average brainwashed liberal. He is specifically ‘inspired’ to make movies about transgenders. One of the main production houses behind this film was Khoosat Films, headed by a famous Pakistani actor, Sarmad Khoosat. This production company has been responsible for other popular liberal films in Pakistan. Examples include Motorcycle Girl, a movie promoting the feminist agenda; Zindagi Tamasha, a movie about a religious elderly man who, after being recorded dancing at a wedding, has his video go viral and faces ‘oppressive societal repression’ from Muslims; and Kamli, another film peddling feminism.

Let’s start by examining the actual plot of the movie, Joyland, so we can ascertain whether or not the severe criticisms against it are justified.

The movie revolves around the Rana family, which includes the old ‘patriarchal’ head of the family whose wife has passed away, as well as his two sons and their wives. The youngest son is impotent, due to which he is unable to please his wife. He goes on to join a theater as an erotic dancer and falls in love with a transgender ‘woman,’ i.e., another man. While the movie follows this gay relationship, the other members of the family are revealed as having forbidden urges of their own. The wheelchair confined patriarch starts a relationship with his neighbor, and the elder son does has an affair with his younger brother’s wife, which results in her becoming pregnant.

This perverted and dysfunctional family is the movie’s depiction of traditional Muslim households in countries such as Pakistan. The movie is basically saying this is what all our fathers and mothers; all our brothers and sisters; and all our husbands and wives are like.

I cannot even begin to fathom how any sane person would take any of this seriously or consider it to be an accurate representation of reality. On the other hand, since the content of a movie directly reflects the views and ideologies of its director and writer, this movie offers a great deal of insight into the inner workings of the mind of a liberal Pakistanis.

The idea of sexual liberation is one of the primary tenets of liberalism. It is for this reason that unsuspecting liberals have been indoctrinated into believing that suppression in the form of religious taboos naturally leads to everyone living within a religious society being sexually corrupt to their very core; and that they are always thinking and acting upon various forbidden and degenerate fantasies. Every other person’s son is a homosexual who loves trans ‘women,’ i.e., men, and every other man lusts for his brother’s wife. This metanarrative is present at the heart of liberal movies and mainstream media, and it is an attempt to justify a degenerate society by pointing at a pure society and saying:

“You may act pure, but deep down, we know you’re just like us! We might not have any actual proof whatsoever to back up such a claim, but we’ll go ahead and make endless movies about it regardless!”

It’s the liberal world’s way of seething and expressing their hatred for pure, traditional Islamic communities. And unfortunately, the Muslims that have been indoctrinated into this worldview also end up believing that the only natural solution to this non-existent problem is for a sexual revolution to take place, just like the one experienced by the Western world decades earlier.

RELATED: How “Sexual Revolution” Gave Rise to Nazism

If everyone was allowed to mix freely with the opposite gender and act upon every sexual fantasy they had; and if society didn’t condemn and censure these immoral and degenerate actions and behaviors, then the world would be a much better place, and no one would be depressed or unhappy.

And the reason they don’t recognize these acts and behaviors as being immoral and degenerate is because of another one of liberalism’s core tenets: you can do whatever you want, as long as you’re not harming anyone. The reality however, is that these liberals don’t realize how they themselves don’t abide by this principle. There are numerous examples of things where no harm is involved which they would not tolerate. Things such as bestiality, necrophilia, incest and a consensual relationship between a child and an adult. When it comes to such scenarios, the ‘love is love’ principle is quickly thrown out the window, and their inner moral compasses awaken.

However, this may not be the case for much longer, since the degeneracy is increasing at an alarming rate with the constant social engineering and brainwashing taking place. They only tolerate the immorality that the liberal world has normalized thus far. Things like homosexuality, premarital and extramarital sex, orgies, etc., are all okay because the liberal culture one day decided it’s okay. This is the deep rooted hypocrisy that the liberal mind fails to perceive.

And while they push for a sexual revolution to take place in Muslim countries, they’re completely oblivious to the damage it caused in the West, where you now have a hedonistic satanic society filled with all kinds of deranged fetishes; where marriage is at an all-time low, the existing ones end in divorce; where homosexuals are allowed to adopt children; where transgenders are allowed to get close to children and explicitly explain their filthy lifestyle to them, often even putting on a perverted and disgusting performance or wearing clothes that reveal their genitals; and where parades filled with all kinds of sexual deviants walking the streets naked are praised as being ‘brave.’ This society, with all its sexual perversions and its consumerist lifestyle, has plunged itself deep into the depths of depression, where the only thing keeping them going is a steady stream of alcohol and antidepressants. This is the lifestyle that these liberals hide but are ultimately pushing for, in ‘the name of art,’ when they defend and promote movies such as Joyland.

Preventing and stopping such filth is precisely the purpose of the societal shunning of immorality and degeneracy. This is an inherent behavioral action that humans implement in order to bar indecent things from taking place, or from spreading within society. If you don’t want people to steal, you depict thieves in a negative light. You teach kids that stealing is wrong and harmful, and society looks down upon thieves. You also include a punishment to discourage the act further. This is why Islam is the perfect model for mankind. Not only does it forbid immoral sexual acts, it mandates public punishments for those who indulge in them. This then discourages their occurrence from society in the most effective way possible. Cheating on spouses, Zina, rape, false allegations and homosexuality would be at the lowest possible level if the Shari’ah were to be implemented fully and correctly. It would ensure that the greater good is achieved for society.

Then the liberals always fall back on sexual needs. Yes, humans have intimate and sexual needs. Men need women and women need men. That’s basic biology. Marriage fulfills this need. And not only does marriage fulfill this need, it enhances it by committing the husband and wife to each other. He has to lower his gaze from non-Mahram (marriageable) women and she has to cover herself up and not interact with non-Mahram (marriageable) men, in addition to staying within the home. They both fulfill their God-given gender roles, have children, and they all thrive as a result of this. This only deepens their love and brings them closer to each other. This natural way of life, one that has existed for all of human history, has been completely warped in the minds of liberals. They see it as nothing more than a social construct which leads only to oppression and misery. This warped image has been disseminated through years of social engineering, through movies and media. Just look at the disgusting way in which marriage is portrayed within this movie as well as all the forms of modern media that we consume today.

You’ll see depictions upon depictions of wives being compared to caged birds and described with derogatory terms such as ‘baby making machines’; the portrayal of husbands being unrepentant alcoholic wife beaters who don’t care about their wives and are completely incapable of pleasing their wives in anyway whatsoever; and the struggle of the wife to break free from all this fictional oppression. The modern scantily clad prostitute is depicted as being better than a traditional housewife. It is shown that there could be nothing worse than a woman being a traditional housewife, living in a traditional marriage. Consumption of such content has turned a ceremony that was once eagerly awaited by youngsters—especially young women—into a prospect that now terrifies them instead. In fact, getting a liberal education, consuming mainstream media and watching modern movies and documentaries is directly correlated with fear of marriage. And then these same liberals, after being afflicted with this agenda, have the audacity to claim that such movies harbor no agendas against Islam or family values.

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When the elites want something to happen, they simply pay for it. The biggest proof of the dark agendas behind Joyland lies in its funding. And it is no surprise that Joyland is the first Pakistani movie to have an all American funding. When foreign investors actively push for a movie about liberal values and sexual degeneracy to be made and released within a Muslim country, what does that tell you? Does it not reek of the well-known liberal formula of indoctrination through mainstream media and entertainment? And for those who all-out reject the notion of media as a tool of social engineering, just take a look at what Israel’s former PM, Benjamin Netanyahu, has to say:

Citing the hundreds of thousands of satellite television dishes in Iran, Benjamin Netanyahu told the House Government Reform Committee that the United States could incite a revolution against the conservative Iranian clergy through the use of such Fox Broadcasting staples as “Melrose Place” and “Beverly Hills 90210” — both of which feature beautiful young people in varying states of undress, living, glamorous, materialistic lives and engaging in promiscuous sex.

In the past this kind of brainwashing was difficult to achieve because you had to actually conquer or infiltrate a land before being able to influence its youth. But now, in the age of technology, the internet and social media are very easy to manipulate avenues in order to spread liberal ideologies. Especially when it’s the liberal world order that controls what constitutes mainstream internet, where they can promote what they want and censor what they want.

In addition to all of this, the infamous Malala Yousafzai has now joined the Joyland team as an executive producer. For those who don’t know, executive producers are responsible for dealing with the legal, financial and marketing aspects of a project. Yes, this Western puppet who pushes for feminism in order to eradicate family values from Muslim societies is responsible for this movie’s financing. The amount of Fitnah this person has generated among young Muslim women by blindly leading them into the pit of toxic feminism is unreal. I highly urge reading this article by Muslim Skeptic in order to get an idea of the extent of the damage that she has done. So, when someone like this finances a filthy movie like Joyland, it should be very clear that the agenda is to turn Muslims into liberals that will eventually leave Islam altogether; and to spread Fitnah and corruption among Muslims. This movie is exactly what Malala denies it being: activism posing as art.

It’s also worth mentioning that it seems to be too much of a coincidence that this movie comes out just a short while after the Transgender Bill in Pakistan suffered well-deserved backlash from Muslims after being brought into the public eye. Feminism was already being heavily pushed in Pakistan, but now the wealthy elites hiding behind the scenes seem to have a particular obsession with pushing transgenderism and homosexuality. It makes sense, as both feminism and homosexuality go hand in hand. Both are meant to make men more feminine and women more masculine, with the ultimate goal being the breaking down of the family unit so both can be controlled more easily.

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This brings me to the next point, which is the backlash. And Alhamdulillah, once again, many Muslims both within and outside of Pakistan showed that their Fitrah and their desire to defend Islam is alive and well. They took Twitter by storm with the hashtag #BanJoyland, rightfully admonishing the movie and its makers; and sharing verses and reminders of the punishment that was sent on Qawm Lut, warning of the consequences that Pakistan might face if this movie is released. And this outrage wasn’t just confined to Twitter. Many complaints were sent directly to Pakistan’s Central Board of Film Censors (CBFC):

“A surge of applications and petitions were received [against Joyland],” Aurangzeb said. “When petitions are received, it is binding to review them,” she added.

“To my surprise, I was told by the censor board that they were [applications] received from middle-class people and parents,” the minister said.

And as a result, the movie was banned from screening. The Information Ministry of Pakistan declared it to be “repugnant to the norms of decency and morality,” and it was ruled as uncertified for screening in cinemas. But, as usual, the vocal liberal minority erupted and took to screeching about it on Twitter, now with the hashtag #ReleaseJoyland. If they were alone in this, the matter would’ve been settled, but they had the backing of not only mainstream media but the government of Pakistan itself. Articles by popular Pakistani mainstream media such as Dawn and Tribune have published articles vehemently defending Joyland, writing sob stories about how sad it is that all this so-called art is being suppressed. Oh my god, homosexuality won’t be aired in theaters and we can’t glue the eyes of Muslims to the screen and feed them this filth—I mean, art—how very SAD! The filmmakers behind Joyland will certainly gobble all of this up and play the victims.

Here’s a tweet from a journalist who attempts to use the intentional confusion inserted into the trans bill, where intersex and transgenders are defined under the same umbrella, to defend the movie:

RELATED: Pakistan’s Transgender Bill: How Liberalism Is Being Forced Onto Muslim Society

This confusion has been one of the two main arguments utilized by liberals in their attempts to defend this movie. It seems like they just pick up whatever arguments the mainstream media is making, without actually thinking for themselves. Intersex people are those who are born with ambiguous sexual genitals and characteristics, but can still be classified as being one specific gender. It’s common knowledge that people who are born intersex are extremely rare because the genetic mutations that lead to such conditions are extremely rare. Their sex is officially assigned very early on depending on a number of factors. The majority of the Khwaja sira community consists of transgenders, i.e., men pretending to be women that are simply imitating women. This is something that the Prophet (may Allah bless him and grant him peace) has cursed.

’Abdullah ibn ’Abbas (may Allah be pleased with him) narrates:

Allah’s Messenger ﷺ cursed the women who imitate men and the men who imitate women. (Jami’ al-Tirmidhi)

As for their other main argument that they’re flaunting about, it is the same as when the Trans Bill controversy arose. They say that since a transgender woman is not a man, for a transgender woman to have a relationship with a man is not homosexuality. To those select few who actually believe this, I suggest reading any elementary level biology textbook; an actual book of Islamic law; and maybe try making use of this great thing called common sense. This is not even a point worth refuting, but I mention it here only to demonstrate the blind absurdity that some of these liberals are submerged in.

Here’s another tweet. This one is from the Human Rights Comission of Pakistan (HRCP), calling the Pakistani government “rabidly transphobic” for banning Joyland:

In fact, even the Prime Minister of Pakistan, Shahbaz Sharif, couldn’t sit still at the thought of all the oppression and hate these ‘artists’ were facing for their supposed ‘art’:

Pakistan’s prime minister has ordered a review of the ban on the country’s Oscar entry, the movie Joyland, days after the measure was imposed, one of his advisers said.

Here’s the tweet where this adviser, by the name of Salman Sufi, revealed this information:

I’m astounded as to how amidst all the flooding and displaced homes that have taken countless lives in Pakistan; amongst all the corruption and increasing crime; poverty; inflation; and rapidly declining value of the Pakistani rupee, its government makes sure to divert their time and resources towards what according to them is apparently the REAL problem, i.e., preventing the suppression of art. To all the liberals reading this, ask yourselves, why does the government care so much about releasing this film in their country? Who is controlling them? Is the agenda still not obvious enough?

As a result of the government’s intervention, and despite all the strong opposition to it, it was re-reviewed by the censor board committee and surprisingly enough, the ban against Joyland was lifted. However, the backlash still continued, and many authorities who aren’t having their strings pulled, still realize just how wrong it is for this movie to be aired. Thus the movie was once again banned by the Punjab government, and a petition seeking the banning of the film has also been filed by the Peshawar High Court (PHC). The situation remains in this shaky back-and-forth state, but it is quite clear that the overwhelming majority of Muslims in Pakistan have completely denounced this filthy, degenerate film and want absolutely nothing to do with it.

With information technology rapidly progressing and with these powerful groups finding newer ways to attack Islam, it is reassuring to see many young Muslims waking up to the dangers surrounding them and strongly opposing it, because it’s the Muslim youth today that are going to be role models for Muslims of the next generation. Whether it be the Aurat March, the Domestic Violence Bill, the Transgender Bill, or Joyland, Allah will expose all of their plots, and with Allah’s permission, the Muslims will remain vigilant, in sha Allah.

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Truth seeker

BTW the current govt of Pakistan and the establishment even the ulema( son of maulana failure rahman, a sitting minister) in the current imported govt had no issues in passing this movie. It was the effort of people of gheerah from among the masses and influential social media persons etc who raised the issue.

akh

If something is pushed so hard it isn’t about the art but about the agenda. Same goes for these woke Hollywood movies. Producers know fully well that these movies will lose money but they still make them. Platfora like gay Netflix and Amazon Prime fall in the same line.

A producer of this movie by the way is an Indian Hindu by the name of Apoorva Guru Charan. And two of the executive producers are as well: Prasad & Puvvula. Might want to figure out if they have links to the Modi gov.

akh

Charan made a movie in 2018 titled ‘Nowhere’. IMDB has the following storyline description:

“Pakhi, a conservative Paksitani woman, discovers her husband’s secret and follows him every night to a gay bar.”

Seems like she’s obsessed with portraying Pakistanis as sexual degenerates.

Mariam

I haven’t been to Pakistan but judging by social media it looks like a liberal dystopia.